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The definitive study of heavy metal culture that "does for metal

what Greil Marcus's Lipstick Traces did for the Sex Pistols" (

-Chicago Sun-Times ).. Few forms of music elicit such strong

reactions as does heavy metal. Embraced by millions of fans, it has

also attracted a chorus of critics, who have denounced it as a

corrupter of youtheven blamed it for tragedies like the murders at

Columbine. Deena Weinstein argues that these fears stem from a deep

misunderstanding of the energetic, rebellious culture of metal,

which she analyzes, explains, and defends. She interprets all

aspects of the metal worldthe music and its makers, its fans, its

dress code, its lyricsand in the process unravels the myths,

misconceptions, and truths about an irreverent subculture that has

endured and evolved for twenty years.

Appreciation

Acknowledgments

1 Studying Metal: The Bricolage of Culture

2 Heavy Metal: The Beast that Refuses to Die

3 Making the Music: Metal Gods

4 Digging the Music: Proud Pariahs

5 Transmitting the Music: Metal Media

6 The Concert: Metal Epiphany

7 Maligning the Music: Metal Detractors

8 Metal in the '90s

Appendixes

   Appendix A: Suggested Hearings: 100 Definitive Metal

Albums

   Appendix B: Gender Preferences for Metal

Subgenres 

   Appendix C: Proportion of Heavy Metal Albums in

Billboard's Top 100 

Notes

References

Index 345

About the Author

Deena Weinstein is a professor of sociology at DePaul University

in Chicago. Her numerous books, chapters, and articles in

professional journals range from the sociology of rock to

postmodern theory. She also writes music reviews and features for

numerous magazines, alternative weeklies, and websites.

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媒体评论

Library Journal This is one of the few books that provides a

serious study of this most loud and rebellious form of rock'n'roll.

Beginning with pioneers such as Black Sabbath in the early 1970s,

Weinstein traces the roots of the music and the bands who played

it, from England's hardcore headbangers to their American

counterparts plus a lot of the lightweight pretty-boy bands of the

1980s. Copyright 2000 Cahners Business Information. Chicago

Sun-Times First time in paperback: The definitive study of heavy

metal culture that "does for metal what Greil Marcus's Lipstick

Traces did for the Sex Pistols" Fewer Reviews Voice Literary

Supplement Few forms of music elicit such strong reactions as does

heavy metal. Embraced by millions of fans, it has also attracted a

chorus of critics, who have denounced it as a corrupter of

youth-even blamed it for tragedies like the murders at Littleton.

Deena Weinstein argues that these fears stem from a deep

misunderstanding of the energetic, rebellious culture of metal,

which she analyzes, explains, and defends. The music and its

makers, its fans, its dress code, its lyrics-she interprets all

aspects of the metal world, and in the process unravels the myths,

misconceptions, and truths about an irreverent subculture that has

endured and evolved for twenty years.

书籍介绍

First time in paperback: The definitive study of heavy metal culture that "does for metal what Greil Marcus's Lipstick Traces did for the Sex Pistols"

-Chicago Sun-Times Few forms of music elicit such strong reactions as does heavy metal. Embraced by millions of fans, it has also attracted a chorus of critics, who have denounced it as a corrupter of youth-even blamed it for tragedies like the murders at Littleton. Deena Weinstein argues that these fears stem from a deep misunderstanding of the energetic, rebellious culture of metal, which she analyzes, explains, and defends. The music and its makers, its fans, its dress code, its lyrics-she interprets all aspects of the metal world, and in the process unravels the myths, misconceptions, and truths about an irreverent subculture that has endured and evolved for twenty years.