Piano Concertos Nos. 4 And 5 ( 下载 pdf 百度网盘 epub 免费 2025 电子书 mobi 在线

This volume contains two of Beethoven's most loved and widely performed piano

concertos, printed in the traditional format for two pianos: Piano I is the solo part;Piano II, a piano reduction of the orchestral score.

Concerto No. 4 in G Major, Op. 58, composed in 1805-06, is one of the great masterpieces of the form, perfectly designed, profoundly poetic. From its striking opening for the solo instrument

a true innovation for the concerto concept through the slow movement's literal "conversation" between solo and orchestra, the work broke new ground as it reshaped the form. The powerful Concerto No. 5 in E-flat Major, Op. 73, called the "'Emperor" for its grandeur, was Beethoven's last piano concerto. Composed in 1809, when the composer was thirty-nine, it is counted among the most popular concertos in the repertoire. Grove considers it oneof the strongest works conceived by Beethoven, and by far the most "symphonic," from

he "thunderous cadential celebration" of the very first bars to the brilliant rondo-finale.

Both works are presented here in authoritative two-piano playing editions edited

by Franz Kullak, one of the nineteenth eentury's leading piano editors and teachers

of pianists. His classic format for two keyboards is the universal standard, for

students and professionals alike, for learning and rehearsing all piano concertos. It gives the pianist the most accessible form and practical means to prepare a work for performance. To this practicality, Dover adds the convenience and economy of

joining two major concertos within a single volume.

Piano Concerto No.4 in G Major, Op.58 (1805-6)

I.Allegro moderato

II.Andante con moto

III.Rondo: Vivace

Three Original Cadenzas for Piano Concerto No.4 (1809?)

First Cadenza for Movement I

Second Cadenza for Movement I

Cadenza for the Rondo

Piano Concerto No.5 in E-fiat Major, Op.73 ("Emperor") (1809)

I.Allegro

II.Adagio un poco moto

III.Rondo: Allegro

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书籍介绍

Features 2 widely performed concertos in authoritative 2-piano playing editions edited by Franz Kullak.